Voices of New Orleans

"It is has been three weeks since Hurricane Ike blew ashore on Galveston Island bringing up to 20 feet of Gulf waters over the low-lying land, killing a still yet to be determined number of residents — several hundred remain missing — and inflicting billions of dollars in damage. The television satellite trucks and cable news stars are gone and the nation's collective eye has turned elsewhere. But thousands of area residents now live in a stench-filled world where the incongruous is normal and the dangerous real." — from a Time magazine report on life after Ike

Music Friday: Reluctant ambassadors

March 28, 2008

“Reluctant Ambassadors” is not the name of a new band, but perhaps it should be. It is the position that New Orleanians often find themselves in when away from their city. I am not referring to our reading at Get Lost Books, last week in San Francisco, which was small but wonderful. In that case I had volunteered to be a spokesperson for our city, and there was a receptive and interested group. No, I am referring to those times when us folks from New Orleans suddenly find ourselves speaking for a city — in a coffee shop, in a random conversation, while checking into a hotel, maybe even with family — wherever it might be.

I sat in an Irish bar in Sonoma, California, drinking a beer in wine country. A woman asked where I am from, and after hearing the answer she says, “I can’t stand New Orleans.” I was in a good mood, so I didn’t say to her what I felt like saying. Instead, I found myself telling her what is great about the city, explaining that it isn’t all Bourbon Street or what you see on TV. I found myself explaining why the city should fight to survive and why the government should help.

As though any of that needs to be explained. I felt like I was in another country. In truth, I really was, except for accepted boundaries.

At the bar at the hotel in San Francisco (my sister-in-law once asked if all my stories begin with “In a bar …”), I overheard a man talking, in a group of four or five suit-and-tie wearing people. It was clear that he was the only one from New Orleans. They politely listened as he said how great Jazz Fest is, how inspiring it is to see the city come back to life and so on. They were conspicuously silent.

These are the moments when New Orleanians find themselves turned into reluctant ambassadors. We didn’t sign up for this job. We just can’t stand it when people so ignorantly dismiss our city.

Another day, driving across the Golden Gate Bridge (nowhere near a bar, Yuko), a New Orleans tune came on the radio — Ellis Marsalis with Irvin Mayfield, playing a tune that I remember from Spike Lee’s Mo’ Better Blues. I believe it is from a CD soon to be released. Alone with this music, I was reminded of how great our city is. It speaks for itself.

No videos from that one yet, but I am looking forward to that CD. For now, who better for Music Friday than that family of ambassadors, the Marsalis’? Behind the cut is Ellis Marsalis with a couple of his sons, “Surrey with the Fringe on Top,” and trombone fans should keep watching after the song — listen to Branford call the trombone a “crappy instrument” and Delfeayo proving him wrong:


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About this blog

After Katrina and its horrible aftermath, Chin Music Press felt compelled to shine its wobbly flashlight on New Orleans. This effort resulted in our second book, Do You Know What It Means To Miss New Orleans? Along the way, we met a community of passionate, eloquent writers who care deeply about what happens to the Big Easy. This blog became a natural extension of the book. It's our way of adding voices to the unfolding story of New Orleans.


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Other Books by Chin Music Press

Art Space Tokyo
Goodbye Madame Butterfly