The Simon reviews DYK

Reviews

The latest issue of the The Simon magazine, an online publication that takes on everything from Altoids ads to California culture in inspired style, includes a piece called "Invisible City: New Orleans Rebuilds by Writing." It's a great piece — and not just because Do You Know is featured prominently. It's the first piece I've seen that looks at post-Katrina literature as a weapon or a tool in the rebuilding process. The subhead sums it up nicely:

In a slew of books responding to Katrina, writers show that the Big Easy is not going to let 125 mph winds, FEMA, or Bush rain on its parade.

It's easy to dismiss this sort of effort, but it is also wrong to do so. Tom Lowenburg of Octavia Books in the Garden District told me in February that the city's residents were buying books about New Orleans in record numbers. People are searching for answers, context, meaning in this mess, and when the government at every level looks indifferent or incompetent or a combination of the two, people search beyond it to find something worthwhile. In this case, this new body of post-Katrina lit is attempting to fill the gap.

On a side note, the piece raves about the latest copy of The New Orleans Review, which I would like to get my hands on. It also quotes good friend Anne Gisleson, who writes about her child seeing X's in the sky. Powerful stuff.

OK, since this blog is about "Adventures in Publishing" and the premise that we will tell all when it comes to the story of our little press, let me share with you how happy it makes us when we read something as thoughtful and well written as this. Irish playwright Brendan Behan said, "There is no such thing as bad publicity except your own obituary," but I'm guessing he didn't run a small press. Bad reviews — not critical ones, but the hack jobs we've had to endure in Japan — make my blood boil. It makes me hanker for the days of Michelangelo, wheen he could unleash a band of thugs to beat up rival artists and critics. But good reviews do the opposite — they reaffirm that other people are willing to consider what we're doing based on the book in front of them and not the press release, the pitches on voice mail, the name of the publishing firm. So without further ado, a couple of my favorite lines about Do You Know in the review:

In future evacuations, this is the book to throw in the suitcase.


Do You Know What It Means? marks the first literary incarnation of a jazz funeral. Such an inspired idea arriving under such circumstances is bittersweet to say the least. Compiled in only 89 days following Katrina’s hit, this diminutive book is a procession of dirges and celebrations, libations and anecdotes, all in a layout recalling the simplicity and intricate sophistication of McSweeney’s but with none of their all-knowing, wink-wink pretension.

Thanks for reading. Now back to your taxes.

Bruce Rutledge >> April 15, 2006
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